Marina Eckersley
Class of 2020
Marina has spent most of her career in the Canadian music industry working in music publishing, including most recently at Toronto‐based Anthem Entertainment. She began her career in the industry at Trebas Institute studying audio engineering, but a fateful internship at Nightingale Music coincided with Marina trying to navigate her own rights as an artist, and her hidden interest in intellectual property was realized. Marina has also completed the Artist Management program at Canada’s Music Incubator, and consults with independent artists and managers on music rights administration. Her mission is to empower creators to make informed decisions about their music rights.
We will reduce inequality if firms offer workers company shares
Shear waste: Why Ontario throws out so much wool
What happens to workers’ rights during COVID-19?
Buyer beware: Do some research before engaging in online talk therapy
COVID-19 clouds young people’s economic future
No musical talent, no problem — there are now apps for that
Junos 2020: Growing cross-country talent means investing in music and artists
Why are concert tickets so expensive? Because you’re not just paying for the artist
Music collectors seek out rare albums not available on streaming
Residuals can make up 75% of a musician’s movie score paycheque — but not on streaming
The secret sauce musicians need to earn a living (and no, it’s not constant touring)
